Typically I purchase tickets for Selected Shorts series only when authors I admire will be speaking, but when I saw that there was a performance coming up called "A Night at the Abbey" I booked immediately. The four stories chosen had some of the same themes that run through the show, and the icing on the cake for me was that Jim Dale, narrator of the Harry Potter audiobook series, would be reading one of the stories. Dale's voice has accompanied me up and down the state of California and back and forth across the country on countless road trips, encouraged me while doing large cleaning jobs, and kept me company during marathon baking sessions. I've listened to each book several times and am endlessly impressed by his talents. So it was with great eagerness that I took my seat next to Ed in Symphony Space last night.
Jim Dale, standing uncharacteristically still |
There were two scheduled additions to the program that came as a surprise to those of us in the audience. One was an appearance by Chip Kidd, designer of book covers (B.D. Wong: "Think of every book cover you've ever looked at and liked and it's probably his."), author, snappy dresser, and very funny dude. Kidd regaled us with a reading from an author he dubbed "the Rachael Ray of her day, only with class." It was from a "cookery" book and explained, in unbelievably dramatic and pretentious language, what to serve and what not to serve, how to make mint jelly and turtle soup, etc. I wish I knew how to find the text so I could share it; I've never seen Ed laugh so hard in a Selected Shorts performance. The other feature was a screening of an episode of a spoof on Downton Abbey called Downton Sixbey that runs on the Jimmy Kimmel Show. Its writer, A.D. Miles, introduced it and warned us that it was a bit more, er, scatological than the folks at the original Abbey would ever dare to be. He was right, but it was still pretty funny. The name, by the way, comes from the studio where it is filmed: 6B.
The artist, who likes to wear a mustache while topless |
There was one unscheduled addition to the program that came as a surprise to those of us in the audience as well as those on- and backstage. As A.D. Miles walked up to the microphone, a woman in a hat stood up near the front of the theater. She said something too quiet for me to hear, and she was pointing either a digital camera or a cell phone at Miles. "This," said Miles, "Is the most awesome thing I've ever seen. There is a topless woman in the audience." I couldn't see too well, but Ed confirmed that this was indeed the case. She repeated her words a little louder and then Miles repeated them into the mic, something about "topless shock syndrome." "OK, thanks for that. Topless Shock Syndrome," said Miles, then launched, rather professionally for a comedy writer, into his introduction as though nothing had happened. Several theater personnel fluttered around the row where the woman was seated, but she didn't seem to be causing any more disturbance, was possibly fully clothed again, and was seated dead center so that removing her would have caused minor havoc. In the end, they chose not to act and the rest of the program proceeded smoothly.
Of course I googled "topless shock syndrome" the second the show was over. Apparently this woman is an artist who tries to shock people out of their misconceptions by showing up in public places and at performances without a shirt on. She's writing a book about her experiences, too. Or something. Surrounded by the stellar literary and performance skills at Symphony Space, I have to say that I found her "art" shocking alright, though perhaps not for the reasons she hoped.
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